Monthly Archives: March 2012

Ladies Afternoon Wrap (aka) Is Est Quis Is Est

It is what it is!

For my first official challenge with The Vintage Pattern Lending Library, 1912 Project, I received the Ladies Afternoon Wrap #0291, originally released February 4, 1912.

Ladies Wrap Pattern #291

This is an absolutely gorgeous pattern that I may attempt to tackle with a different fabric, but for now, my version will just have to be my muslin.  I should start at the beginning….

I had on hand a red and gold (cheap) brocade that I purchased when I was working on a local production of “The King and I”.  By local, I mean no budget and I volunteer…   It’s a pretty color with an interesting design, wonderfully drapey, and the reverse side of the fabric would be fabulous for the arm detailing and belt.  I decided not to line mine and after cutting out the pieces (do not follow the cutting directions on pattern) I went to work.  The pattern is straight forward and easy to follow, but remember I said MY fabric was cheap, so every easy task was made difficult from this point on.

I made the darts in the main pieces where marked, but I opted not to cut them open in the back as my fabric was already starting to fray like crazy.  Yes, I did all the tricks you’re supposed to do to prevent this but my fabric just refused to cooperate.  I just pressed the darts to one side and it worked fine.  Next, the sleeve detailing.  Oh won’t it be pretty with the gold reverse print against the red?  But now that it’s going together, the reverse is looking really orange, so on to plan B, rip it out and go with the red fabric on red.  Still looks pretty but boy is it fraying.  I’m starting to get discouraged.

Reverse Fabric

Reverse Fabric

I stitched the back seam then stood back and admired how I matched the print (ooh and aah), is this going to work after all?  The collar went together like a dream and the drapey effect is perfect.  Cool, this IS going to work!  Now on to the edges…   I swear the edges were the bane of my existence for a week.  I probably over thought it all, but I like the inside of my garments to look as nice as the outside.  Starting at the front (big mistake) I first tried to roll a small hem by hand but didn’t like the way it was looking.  Ripped it out.  Then I made a bias strip from left-over fabric and attached it to the outside ends bringing it to the inside (think of binding a quilt edge), but it was looking too heavy. Ripped it out.  The fraying at this point has me in tears and on my first drink.  I found some gold trim in my stash and decided to attach it to the inside edge (as close as possible because I’m slowly losing my fabric and why did I start with the front?!) and brought it toward the outside to make a hem.  I thought the gold would be a nice touch…   it’s not, but it’s on.  My front panels are now 2 inches narrower than they’re supposed to be –  I’m really not liking this anymore.  I will NEVER wear this, I’m not wasting my tassels…. My new mantra ‘This is my muslin, this is my muslin’.  On to the second drink.

Wrap Front

Wrap Front

The back went much better.  I used the same gold trim but attached it to the outside edge and brought it to the inside and stitched it (like hem tape) and I was rather pleased with the results.  And, no, it’s not because of the second drink.

Wrap Back

Wrap Back

My pattern review is as follows:

Pattern Description/Sizing

Vintage Pattern Lending Library, Ladies Afternoon Wrap #0291, Size 32 inch Bust

Did it look like the photo/drawing on pattern envelope?

It actually did…  although I had problems with my choice of fabric, any issues were my own and not the fault of the pattern.  It draped beautifully.

Were the instructions easy to follow?

Once I got past the initial incorrect pattern layout, yes.  The collar section, once sewn, said to attach to neck edge but did not specify to right or wrong side.  I opted the right side because I then applied trim/edging along outside and turned the seam allowance and trim to the inside.  Is this correct?  Not so sure but it worked for my method.  Also, I felt the sleeve edge directions were a bit strange, but it worked out to be one of those details that you just follow blindly and ‘aha-light bulb’ it all works.

What did I particularly like or dislike about the pattern?

On a scale of 1-5, I would give this pattern a FIVE – I loved the drape, and depending upon belt and tassel options, it can be made to suit formal attire or dress up a pair of jeans for a night out.  It’s deceivingly versatile.

Fabric used – don’t go there…

Pattern alterations/design changes.

Although I am a larger bust than the 32′ stated in the pattern, the dart placement worked out fine for me.  Very forgivable design.  The only adjustment I made was to elongate the front and back sections by about 2 inches.

Would I recommend this to others?

Absolutely!  Especially for someone wanting a simply elegant piece to dress up an outfit, or a wonderful canvas for an ‘art to wear’ project.  I think with a bit more clarification regarding some directions, this can be a great beginner pattern.

In conclusion – Would I sew this again…. yes, but definitely with a different fabric.  Taking a cue from Tim Gunn, I WILL make it work (at a later date).  I’m actually having such a blast with all of this, missteps and all!  Thank you, Janyce and Kim.

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Filed under E0291_WRAP, The 1912 Project, The Vintage Pattern Lending Library

I Love My Princess Slip!

Now on to Part II of my Princess Slip #E0336, from The Vintage Pattern Lending Library.

Well it took a bit longer than expected but I am absolutely pleased with the results.  After reworking the front bodice to accommodate the lace insertion techniques (Thank you Martha Pullen), I was ready to work on the rest of my slip.  I needed to add a bit to the back to match the addition on the front so I added a scant 1/4 inch to each upper portion seam allowance, extending to about 1/2 inch at the waist, and left the hip measurement as is.   I basically followed the directions for sewing the back together, although after attaching front to back at the shoulder seams, I opted to put the lace trim on the sleeve BEFORE I stitched the side seams together.  This enabled me to do a very narrow french seam along the sides so the cut ends of the lace are secured inside.  I finished the neckline edge with lace and ribbon so the top can be adjusted as needed, and a few buttons up the back, Yippee…

Slip Front Bodice

Next up – the flounce.

I cut the fabric as directed and stitched a narrow hem along the bottom.  Next I cut off about 3 inches of the bottom and applied insertion lace between the two pieces.  For the pleating I actually marked the bottom and top of the strip at regular intervals and folded each pleat over and basted in place.  Then, as suggested by Theresa , I starched, and pressed, and starched some more (Thank you Theresa..  it really benefited from the extra starch).  Once I was sure it would stay where I wanted, I applied insertion lace along the upper pleated portion and then attached the whole thing to the hem of the slip – well la-de-da, it really looks like a slip now.

Slip Hem with Insertion Lace

Slip Hem with Insertion Lace

My pleating isn’t nearly as trim as the pattern illustration, but then again, I’m not nearly as trim as the pattern illustration…

 

 

 

 

 

Description

The Vintage Pattern Lending Library, Ladies Princess Slip #E0336, March 24, 1912

Sizing

Pattern was listed as 36 inch bust.  The measurements seem to be correct, although I adjusted the pattern to suit my shape.

Did it look like the photo/drawing on pattern envelope?

Yes, in regard to the main body of the slip, the pattern is dead on.  The directions for the flounce called for 3 strips – 9 inches wide by 36 3/4.  I think to get the pictured effect of all the tiny accordion pleats, a bit more fabric could have been used.

Were the instructions easy to follow?

Yes, although I didn’t follow them for applying the insertion lace.  To sew a seam, add insertion, then rip out the seam, and then sew under the raw edges seemed a bit too time consuming.  It may be the most authentic/period correct way to go about it but I used a machine method as described in my previous post.  I would also have liked to see more thorough directions for the back closure.  Not an issue for a more advanced sewer, but it may present a problem with a novice.

What did you particularly like or dislike about the pattern?

On a scale of 1 to 5 – this is a FIVE – I loved it!  I especially loved the fact that with a bit of imagination, it was so easy to modernize.

Fabric Used – White Cotton Lawn

Pattern alterations/design changes I made

I needed to adjust the pattern to accommodate my larger frame, and I added sets of tucks along the upper bust.

In conclusion, this was a fun pattern and I adore the fact that a few in our talented group went with a shorter, wearable dress version.  I would recommend this to a sewer of any skill level.  For the more advanced, it’s a great pattern to perfect some skills and for a novice, a wonderful canvas to learn with.

Next adventure – The Afternoon Tea Wrap, and hopefully, a hat for Kim.

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Filed under E0336_SLIP, The 1912 Project, The Vintage Pattern Lending Library